Saturday, August 10th
Tour of The Cornish Colony, Cornish, NH
Please join the New England Chapter of the Institute of Classical Architecture and Art for a private tour of several of the most treasured homes, studios & gardens of The Cornish Colony, led by ICAA board member and landscape architect Dan Gordon in association with Judith Tankard, co-author of A Place of Beauty: The Artists and Gardens of the Cornish Colony.
At the turn of the twentieth century, a group of America’s most gifted sculptors, painters, architects, landscape architects, writers and politicians were drawn to the highly scenic landscape of Cornish New Hampshire. There they pursued their common artistic and cultural interests, enhancing the natural landscape with homes and gardens which featured works of art, and were in and of themselves, works of art. The Cornish Colony, as it was known, created an idyllic place reflective of The Golden Age of the American Renaissance.
The tour will explore the legacy of the Cornish Colony with visits to several noteworthy properties including: Saint-Gaudens National Historic Site, home & studio of sculptor Augustus Saint-Gaudens; High Court, master work of architect Charles Platt; and Brook Place, home of Landscape Architect Ellen Shipman. The tour also includes: round trip transportation from Wellesley & Woburn Massachusetts; admission to all properties; presentation of The Cornish Colony by Judith Tankard; lunch and refreshments.
Support for this event is generously provided by R.P. Marzilli Landscape Contractors.
Image credit: Saint-Gaudens National Historic Site
Date: Saturday, August 10
Time: 8:00am – 6:30pm
Tickets: $55 for ICAA members; $65 for the general public
Saturday, September 7th
Newport Drawing Tour
The Newport Drawing Tour provides participants with practical knowledge of tradition as manifest in the architecture, urbanism and landscapes of this city of Port and Pleasure. Participants follow in the great tradition of architects and artists who have learned from drawing in situ. One may take a thousand photos of a subject and may not know it…but if one spends some time drawing the same object …you will have it in your mind forever. To draw is to see.
The program focuses study on the enduring vitality and continuity of the classical tradition through the means of observational and analytical drawing. The day will be spent drawing, in situ, at sites that underscore the relationship between buildings, the human figure, and their built and natural environment.
A variety of subjects will be sketched to examine the city and its environs as a work of civic art at all scales –from urban ensemble to individual buildings and architectural detail.
Instructor: David Pearson, Senior Designer at Fairfax and Sammons, New York
Former Associate with Robert A.M. Stern Architects. While at RAMSA He was responsible for the design of a broad range of projects for cultural, institutional, and residential clients. Mr. Pearson worked on the Commonwealth of Virginia General Assembly Building in Richmond and the Georgia Judicial Complex in Atlanta. He previously worked on the LEED Gold Immanuel Chapel for the Virginia Theological Seminary in Alexandria, Virginia; Audley Square House, a top-end residential building in the Mayfair district of London; a mixed-use development comprising a 32- story apartment tower, townhouses, and a meetinghouse for the Church of Jesus Christ of Latter-day Saints in Philadelphia, Pennsylvania; a mixed-use development in Charleston, South Carolina; and a supportive housing building for a non-profit organization in Brooklyn, New York.
Mr. Pearson’s work in China for RAMSA included residential developments in Hong Kong, Tianjin, Beijing, Jinjiang, and Xiamen; the conversion of an existing building into a hotel in Hong Kong; and a private residence in Ningbo.
Prior to joining Robert A.M. Stern Architects, Mr. Pearson worked with Veranda Partners of Orlando, Florida, as Vice President of Architecture and Design; and with Erickson Associates of Naples, Florida, as a principal. From 1991 to 2004 he was a principal at David Pearson Design of New York City and Orlando and Assistant Resident Designer at the Metropolitan Opera in New York. Mr. Pearson also served as an instructor at the Georgia Institute of Technology’s School of Architecture while earning his graduate degrees.
Mr. Pearson’s work has been published in Florida Design Magazine, Food Arts Magazine, The Classicist, Bar Excellence: Designs for Pubs and Clubs (Glen Cove, New York: PBC International, 1999), and World Space Design 09 (Tokyo: NIC Ltd., 1992).
Mr. Pearson is a graduate of Rollins College (B.A., Theatre Design and Studio Art), and the Georgia Institute of Technology (M.S.in Classical Design,2008, Architecture; M. Arch., 2011), where he was an Arthur Ross Scholar. He was selected as a Visiting Artist to the American Academy in Rome in 2008 and 2011. Mr. Pearson is a member of the Institute of Classical Architecture and Art.
Date: Saturday, September 7
Time: 9:30 am - 5:30 pm
Location: Trinity Church 141 Spring St, Newport, RI 02840
Tickets: $35 for Members $50 for General Public
AIA LUs offered
Saturday, May 18, 2019
One-Day Private House and Walking Tour in Historic Charlestown
Members and friends of the New England Chapter of the ICAA and guides, Raffi Robert Berberian and Eric Inman Daum, AIA enjoyed a walking tour of historic Charlestown. The group explore beautifully decorated interiors of 19th and early 20th century houses that retain fine architectural details. The geographic extent of the tour is confined to the areas of Monument, Harvard (at Town Hill) and Winthrop Squares.
Thursday, May 16, 2019
Making Dystopia - A Lecture by Professor James Stevens Curl
The New England Chapter of the ICAA gathered at The College Club of Boston for a lecture by distinguished architectural historian James Steven Curl on his new book, Making Dystopia. Making Dystopia tells the story of the advent of architectural Modernism in the aftermath of the First World War, its protagonists, and its astonishing, almost global acceptance after 1945. He argues forcefully that the triumph of architectural Modernism in the second half of the twentieth century led to massive destruction, the creation of alien urban landscapes, and a huge waste of resources. Moreover, the coming of Modernism was not an inevitable, seamless evolution, as many have insisted, but a massive, unparalleled disruption that demanded a clean slate and the elimination of all ornament, decoration, and choice.
Tracing the effects of the Modernist revolution in architecture to the present, Curl argues that, with each passing year, so-called "iconic" architecture by supposed "star" architects has become more and more bizarre, unsettling, and expensive, ignoring established contexts and proving to be stratospherically remote from the aspirations and needs of humanity. In the elite world of contemporary architecture, form increasingly follows finance, and in a society in which the 'haves' have more and more, and the "have-nots" are ever more marginalized, he warns that contemporary architecture continues to stack up huge potential problems for the future, as housing costs spiral out of control, resources are squandered on architectural bling, and society fractures. Curl’s message contains salutary warnings that we ignore at our peril. And it asks awkward questions to which answers are long overdue.
Professor James Stevens Curl is a leading British architectural historian, Member of the Royal Irish Academy, Fellow of the Society of Antiquaries of London, and Fellow of the Royal Incorporation of Architects in Scotland. He read for his Doctorate at University College London, was twice Visiting Fellow at Peterhouse, Cambridge, and won The British Academy President’s Medal for ‘outstanding service to … the humanities’.
He has an international reputation for ‘thoroughness of research, impeccable scholarship, and lucidity of style’: one eminent critic described his works as combining ‘wit with compassion, the art … of the great humourists’, evident in his wide-ranging scholarly publications. His Oxford Dictionary of Architecture (with Susan Wilson) was hailed as ‘the finest in existence’.
His Making Dystopia: The Strange Rise and Survival of Architectural Barbarism is a passionate critique of why towns today are so unpleasant: he castigates those who can only look with their ears.
Wednesday, May 8, 2019
Women Breaking the Stained Glass Ceiling, a Panel Discussion
The Architectural Series continues with Co-hosts the New England Chapter of the ICAA and the Boston Design Center by asking: Does a glass ceiling exist for women? Editor Nancy Berry will reflect on the reality of working as a professional woman in the field of architecture with four rock stars in the industry who are at different stages in their careers and practicing diverse disciplines. The discussion will explore whether bias exists, what are the obstacles professional women face, how and what are some solutions to succeed in this male dominated field.
Moderator - Nancy E. Berry, Editor of Northshore Home magazine
Rachel Staud – Architectural Intern at Gil Schafer Architects
Elizabeth Graziolo, Architect - Partner at Peter Pennoyer Architects
Jean Carroon, Architect, FAIA - Goody Clancy
Beth Niemi, Architect - Elkus Manfredi Architects
Saturday, April 27, 2019
2019 Bulfinch Awards Awards Ceremony and Dinner
The New England Chapter of the Institute of Classical Architecture & Art is pleased to announce its Ninth Bulfinch Awards. Named for Boston architect Charles Bulfinch (1763-1844), America’s first native-born architect and the designer of the Massachusetts State House, the awards recognize the best work of individuals and firms to preserve and advance the classical tradition in New England.
The winners of the Bulfinch Awards were recognized at a ceremonial reception and dinner gala in the Harvard Hall at the Harvard Club of Boston, designed by Parker, Thomas & Rice.
Bulfinch Awards Co-Keynote Lecture “Reawakening”
Architect David Rau will presented “Reawakening,” a newly-expanded version of a brief TEDx Talk he first delivered at the TEDxRVA festival in Richmond, Virginia. This provocative and richly-illustrated presentation challenges current architectural theory dictating that new buildings must reflect the zeitgeist of their time, and then stakes out original territory vindicating Classical thought as a relevant - even vital - force in new contemporary architecture. The discussion hinges on the conventional notions of the future, where today’s culture might suggest an ever-accelerating advance toward modernity (based in part in 1920s Italian Futurism, but also postwar industrialization and popular culture, and the present ongoing technological revolution). By contrast, a review of the historic trajectory of architecture - and specifically the course of traditional building throughout the ages – reveals cyclical revivals of Classicism (or “recalls”), generally transmuted through the lens of new cultural imperatives, as can be seen in the birth of the Italian Renaissance, for instance. In charting a path forward, the talk concludes with a new vision of a sustainable, “whole architecture,” at once in sync with today’s millennial culture and American ideals of individualism and happiness, while also expressive of the ancient purposes of Classicism.
David Rau, AIA, is Principal in the design firm Hart Howerton, splitting his time between offices in New York and San Francisco. His portfolio of award-winning work at college campuses, urban communities, destination resorts, and cultural complexes nationwide includes the renovation of landmarks and the construction of new buildings, often in sensitive contexts. His work has been recognized by his peers with awards at the federal, state and local levels, and has been featured in the national design media. Recent work includes a pair of destination resorts for the luxury spa brand Miraval: one newly-opened at Austin, Texas, another forthcoming in Lenox, Massachusetts. Other notable projects include the renovation and expansion of The Homestead, the National Historic Landmark resort and spa in the mountains of Virginia; and a new private yacht club on the Chesapeake Bay at Gibson Island, Maryland. His project for Richmond’s Quirk Hotel, developed in a repurposed Neoclassical department store, was named one of Conde Nast Traveler magazine’s “Best New Hotels and Resorts in the World” upon its debut in 2016.
Bulfinch Awards Co-Keynote Lecture “Classical Sculpture: A Lost Art?”
The Greeks defined monumentality in sculpture during the fifth century, B.C., and the classical standard they established in doing so held sway well into the Christian era. That standard re-emerged during the Renaissance, but it was losing traction by the time our nation won its independence. To understand why, one must distinguish between style and content in sculpture. The high-quality classical sculpture for which the Greeks and modern masters ranging from Michelangelo to Houdon are known is very complex in its formal content. Since the late 18th century, and partly thanks to Canova's "neoclassicism," the focus has been on style at the expense of content. The advent of photography in the mid-19th century reinforced this trend, and photography's vitiating influence on the academic tradition remains as powerful as ever. It's reasonable to ask, even at a time when classical architecture is enjoying a noteworthy resurgence, whether classical sculpture, as the Greeks understood it, is a thing of the past. Even if that is so, it does not mean sculpture has not continued to play an essential role in our classical institutional buildings and monuments.
Catesby Leigh has been writing about public art and architecture for over 20 years. Particular areas of interest have been monuments (and anti-monuments), institutional buildings, urban planning, and painting and sculpture. His commentary has appeared in The Wall Street Journal, City Journal, First Things, National Review, Weekly Standard, Claremont Review of Books, Modern Age, Arts & Antiques and other publications. Mr. Leigh is a co-founder and past chair of the National Civic Art Society, which supports the perpetuation of the classical tradition in the nation's public realm. Currently an NCAS research fellow, he is working on a long-term book project concerning the nature of monumentality and its American manifestations. He lives in Washington, DC.
Thursday, April 4, 2019
Mining American Architecture: The Roots of a New American Style, a lecture by Thomas A. Kligerman
On April 4th Thomas A. Kligerman discussed influences on Ike Kligerman Barkley’s houses, both built and on the boards. Tom discussed American architecture from the shingle style cottages to the Anasazi ruins of the Southwest.
Thomas A. Kligerman grew up on the East Coast but spent his high school years living in New Mexico. He received his Bachelor of Arts from Columbia University and his Master of Architecture from Yale School of Architecture. Before co-founding Ike Kligerman Barkley, Tom worked for Robert A. M. Stern Architects in New York City. He loves to travel and has lived abroad in England and France. In 2017, he spent six weeks in Italy as a Visiting Scholar at The American Academy in Rome. Tom serves on the board of several charitable and educational institutions, including The Sir John Soane's Museum Foundation. Tom lectures frequently across the country on many topics including the cultural and architectural history of Cuba, the influence of the Shingle Style in American design as well as the intersection of modern and traditional architecture.
Wednesday, February 27, 2019
Rebuilding Penn Station: A lecture with Richard Cameron
On February 27th friends of the Classical Architectural & Art and the Boston Design Center gathered to learned about Richard Cameron’s, principal designer at Atelier & Co., Brooklyn, NY, and one of the original founders of the Institute of Classical Architecture & Art, ambitious plan to rebuild New York City’s old Penn Station in all its former glory. The original McKim Mead & White structure, which opened in 1910, was torn down in 1963 and replaced with the current underground station that serves 600,000 passengers a day.
The Rebuild Penn Station plan has three major elements: (1) Reconstruct the grand spaces of the original Penn Station; (2) Create a modern transit hub that connects two subway lines, two commuter railroads, and Amtrak; (3) Redevelop the area in and around Penn Station to create a world-class urban destination – like Rockefeller Center. McKim had envisioned his splendid rail terminal as the centerpiece of a spectacular City Beautiful project – but he died before his full dream could be realized.
The Rebuild Penn Station Plan station plan has generated coverage from The Gothamist, City Lab, and The New York Times.
Wednesday, January 30, 2019
Celebrate Connecticut’s building legacy with author, historian, and deputy director of the Connecticut Trust for Historic Preservation Christopher Wigren the release of his new book Connecticut Architecture: Stories of 100 Places.
Connecticut boasts some of the oldest and most distinctive architecture in New England, from Colonial churches and Modernist houses to refurbished 19th century mansions and factories. The state’s history includes landscapes of country churches, urban streets, classical revival courthouses on town greens, quiet maritime villages, as well as more recent suburbs and corporate headquarters. In his guide to this rich and diverse architectural heritage, Wigren introduces readers to 100 places across the state. Written for travelers and residents alike, the book features buildings visible from the road.
Christopher Wigren is the author of Connecticut Architecture: Stories of 100 Places, published by Wesleyan University Press in November 2018. Mr. Wigren works as an architectural historian and Deputy Director of the Connecticut Trust for Historic Preservation, where he edits Connecticut Preservation News, the Trust’s bimonthly magazine, and manages the Trust’s preservation easements program. His articles and essays also have appeared in the Hartford Courant, the New Haven Register, and Connecticut Explored magazine. He also serves on the Merritt Parkway Advisory Committee and the Connecticut State Historic Preservation Board, which reviews nominations to the National Register of Historic Places.
Books can be purchased here: https://www.cttrust.org/book
Monday, November 19, 2018
New Building in Old Cities: Historic Preservation in an International Perspective, a lecture by Steven W. Semes
What is the relationship between contemporary and historic architecture and how does that issue impact heritage conservation? Should new structures maintain a consistency of character and style with their historic neighbors, or should new construction confidently represent the style of the current moment? An issue that is widely debated in historic preservation circles in the United States today is also the focus of debate in other countries. We can broaden our understanding of our own preservation practices by considering them in an international context. This question is as relevant (and difficult) in Boston as it is in Rome, London, or Paris, and a look at how others have addressed it may offer guidance for preservation education and professional practice.
Steven W. Semes is Professor of Architecture and Director of the Graduate Program in Historic Preservation at the University of Notre Dame School of Architecture. He was Academic Director of the Notre Dame Rome Studies Program 2008-2011 and currently splits his teaching duties between Rome and the main campus. Educated at the University of Virginia and Columbia University, he is the author of The Future of the Past: A Conservation Ethic for Architecture, Urbanism, and Historic Preservation (2009) and The Architecture of the Classical Interior (2004). His many articles have appeared in The New Criterion, National Trust Forum Journal, Change Over Time, The Classicist, Traditional Building and Period Homes. He is a Fellow Emeritus of the Institute for Classical Architecture & Art and edited its journal, The Classicist, 2014-2016. His current research focuses on the history of modern conservation theory and practice in Italy and the United States, particularly regarding new architecture in historic settings. Prior to joining the Notre Dame faculty in 2005, he practiced architecture for thirty years with firms in New York, San Francisco, and Washington, DC.
Sunday, September 9, 2018
Afternoon Tour on Indian Avenue, Middletown, RI
The study tour of Boothden and St. Columba's Chapel focused on late-19th through early 20th century adaptations of traditional building in both domestic design and religious architecture in Rhode Island. The environs of Boothden and St. Columba's Chapel, set in the coastal landscape of Middletown, RI, still maintains a collection of significant works of architecture of the highest design and craftsmanship.
First, there was an opportunity to walk through Saint Columba’s Chapel, originally the Berkeley Memorial Chapel. This picturesque church was designed by renowned Philadelphia architect Wilson Eyre, a master of the Shingle Style in the late 1800s.
Second, a tour of Boothden, originally designed by Calvert Vaux in the late eighteen hundreds for world renowned actor Edwin Booth, and brother of the renowned presidential assassin John Wilkes Booth. Most of Boothden’s history was lost to renovations and deterioration over the 20th century. In 2008 the current owners decided to purchase the property and recreate the spirit of originally home. The afternoon will concluded with a cocktail on Boothden’s rambling acres of ocean front property generously sponsored by the team that recreated it; Kirby-Perkins Construction, LeBlanc Jones Landscape Architects, and Andreozzi Architecture.
Sunday, June 10, 2018
Estate Tour: The Crane Estate at Castle Hill
The New England Chapter of the Institute of Classical Architecture and Art gathered for a private tour of the beloved North Shore landmark the Crane Estate, led by ICAA-NE board member and landscape architect Dan Gordon. Support for this event is generously provided by R.P. Marzilli Landscape Contractors.
Commissioned by Chicago Industrialist Richard T. Crane, Jr., the Italianate estate was first completed in 1911 by the architecture firm Shepley, Rutan & Coolidge in collaboration with The Olmsted Brothers landscape firm. Razed in 1924, the main house was rebuilt by architect David Adler in the style of a Stuart English Country Home, and the grounds and program were revisited by landscape architect Arthur Shurcliff.
May 31, 2018
Peter Harrison (1716-1775), Greatest American Architect, a lecture by John Fitzhugh Millar
The New England Chapter of the ICAA gathered with at the Boston Athenaeum with its members for a discussion on the great American Architect Peter Harrison by John Fitzhugh Millar.Peter Harrison (1716-1775), born in Yorkshire, UK, but for many years a resident of New England, is arguably the greatest architect who ever worked in America. A prodigy like Handel or Mozart, his first design at age 17 was for Wentworth-Woodhouse, still the largest private house in Europe. As a result of his having saved the British Empire from being conquered by the French in the 1740s, he was rewarded by being commissioned to design important buildings on every known continent. His papers were mostly destroyed after his death, so in spite of his having designed over 560 buildings he remains very little known on either side of the Atlantic.
Saturday, April 28, 2018
‘Lies that tell the truth’*:Negotiating the subjectivity of expression in contemporary practice
Bulfinch Awards Morning Lecture by Aric Lasher
Architects working within established architectural traditions are daily confronted with the difficulties of fulfilling their designs in contemporary institutional and technological contexts. Our current artistic and ideological environments are equally challenging: How can a place be made for precedented aspects of architectural expression, as rich and arbitrary as human languages, alongside compelling new approaches and forms?
This year’s Keynote lecture was delivered by Aric Lasher, President and Director of Design at HBRA Architects in Chicago, where his projects have included buildings for government, cultural, academic and public institutions, residential projects, landscapes, renovations and restorations of historic structures. Recent work includes Yale University’s Bass Library, renovations at the Beinecke Rare Books and Manuscripts Library, The University of Notre Dame’s new Jenkins & Nanovic Halls, and renovation of Northwestern University’s iconic Deering Library. His interest in the evolution and planning of building ensembles is explored in his book, Plans of Chicago, which considers the legacy of planning innovation and the future of the city from an analytical and urban historical perspective. Mr. Lasher graduated from the College of Architecture, Art & Planning at Cornell in 1984 and has a Master of Fine Arts in film production from the USC School of Cinematic Arts. In addition to his work in architecture he has designed sets for numerous films including Minority Report, Pearl Harbor and What Dreams May Come. Aric’s professional affiliations include the Society of Midland Authors, the Art Directors’ Guild, the Society for College and University Planning, The Mies van der Rohe Society and the Society of Architectural Historians, where he serves on the Board of Directors. Mr. Lasher is a Fellow of the American Institute of Architects.
*Title of an essay by Simon Leys, from the collection The Hall of Uselessness
“Reflections on the Classical Past: A Vision for the Future”
Bulfinch Awards Morning Lecture by Christine G.H. Franck
Christine G.H. Franck is the founding Director of the Center for Advanced Research in Traditional Architecture (CARTA) at the University of Colorado Denver College of Architecture & Planning, as well as a designer, educator, and author. Her design work ranges from award-winning residential design to preservation, landscape, and decorative projects. In addition, she teaches, lectures, and writes on the topics of architectural design, contemporary and historic Classical architecture and American domestic architecture. She has developed, directed, and administered programs for institutions such as the Institute of Classical Architecture & Art (ICAA) and The Prince of Wales’s Foundation and held teaching appointments from the schools of Architecture at the University of Notre Dame and the Georgia Institute of Technology. Before establishing her own practice to focus on design and education, she interned with the offices of Allan Greenberg, Architect and served as the first Executive Director of the Institute of Classical Architecture & Art. She currently serves as Chair of INTBAU USA and trustee of the National Civic Art Society. Her work has been honored with numerous awards, including for preservation, new design, and the prestigious Palladio and Clem Labine Awards. All aspects of her work are ethically focused on improving the built environment and quality of life of all individuals.
Eighth Bulfinch Awards Gala and Ceremony
The ICAA’s national awards program, inaugurated in 1982 as the Arthur Ross Awards was a model for the New England chapter’s regional awards program, initiated in 2010 and named for New England’s most famous architect (and America's first native born architect), Charles Bulfinch. This year, the chapter continued to expand the scope for entries from work in New England by firms in New England to work in New England by firms from around the United States. The winners of the Bulfinch Awards were recognized at a ceremonial reception and dinner gala in the Harvard Hall at the Harvard Club of Boston, designed by Parker, Thomas & Rice.
Thursday, April 5, 2018
Discovering an American Masterpiece in a Beacon Hill Basement
In celebration of Boston Design Week
The New England Chapter of the ICAA gathered at Trefler's on April 5th in celebration of Boston Design Week to hear interior designer Heidi Pribell's adventures in stumbling upon a mantelpiece in a pile of rubble in the basement of a client’s Boston brownstone. The marble structure was about to be hauled off, but Pribell recognized it as something exquisite. Pribell’s research of the caryatid mantelpiece led her to encounter fascinating personalities from America’s first generation of citizens. These included the Cambridge-born visionary Thomas Appleton (1763-1840), a member of Jefferson’s inner circle, who designed the mantelpiece. Appleton was intent upon defining an “American Aesthetic” and Pribell makes a compelling case for him as America’s first art dealer.
Thursday, March 1
"An Elegant and Lofty Steeple" a lecture by Aaron M. Helfand, AIA
Recovering Peter Harrison's lost designs for the steeple of King's Chapel, Boston
In 1754, builders finished work on one of colonial Boston's most prominent landmarks: King's Chapel, designed by the famed architect Peter Harrison. But the building was far from complete: the most impressive feature of the original design was a steeple, intended to surpass any other in the city. Due to lack of funds, this was never built, leaving a square stump in its place. What's more, Harrison's papers were destroyed during the American Revolution, leaving subsequent generations to wonder what his steeple might have looked like. In this lecture, Helfand re-examined the historical evidence and combined 18th-century design principles with 21st-century technology to produce the most detailed vision of the missing steeple to date.
Tuesday, February 20
Lessons of "lost Providence," A lecture by David Brussat
The New England Chapter of the ICAA gathered at the The Algonquin Club of Boston to hear from Board Member David Brussat about his recent book "Lost Providence" - a History Press book documenting the history of architectural change in Providence. Based on a 2014 column called “Providence’s 10 best lost buildings” by Mr. Brussat, the book and its descriptions of buildings lost takes many detours to visit buildings that still exist, offering lessons in preservation.The book looks not just at lost buildings, but also lost plans since the 1840s — major urban projects, accomplished or not, that are disappearing from local memory, such as the Downtown Providence 1970 Plan, announced in 1960, or which are widely misunderstood, such as the College Hill Survey of 1959. Mr. Brussat’s description of the River Relocation Project and the Downcity Plan concludes the book on a note of confidence.
Saturday, December 9
Edgartown Walking Tour - In Celebration of the 'Christmas in Edgartown' Weekend Festival
Friends and members of the New England Chapter of the ICAA joined award-winning architect Patrick Ahearn on Saturday, December 9th, for a walking tour in historic Edgartown, as Patrick discussed the history of Martha’s Vineyard architecture and how the town of Edgartown has evolved over the years.
Tuesday, October 17
Member Cocktail Party
New England Chapter of the ICAA's members met at Seven Tide on Tuesday, October 17th to formally announce the 2018 Bulfinch Awards call for entries.
Friday, September 29, 2017
CHARLES LE BRUN AND THE IMAGE OF LOUIS XIV, A lecture by Dr. Wolf Burchard
The ICAA-New England partnered with David Neligan Antiques and the Boston Design Center for a lecture with Dr. Wolf Burchard on the topics addressed in his book, The Sovereign Artist: Charles Le Brun and the Image of Louis XIV. King Louis XIV’s favorite artist, Charles Le Brun, has often been described as a dictator of the arts in France. Le Brun was a gifted and versatile artist, an excellent painter and designer of tapestries, sculpture, architecture and furniture. As Louis XIV’s principal painter and director of the Gobelins manufactory, he sought to translate the Sun King’s claim for absolute power into a visual form. This lecture explored Le Brun’s different fields of activities and his relationship to the great monarch.
Sunday, September 17, 2017
A Walking Tour of Classic Bristol, Rhode Island
Tree lined streets with stately Federal and Greek Revival houses bear witness to Bristol’s storied past. This tour explored the work of architect Russell Warren, an important early American architect who adapted the classical tradition in innovative ways in both grand and modest designs. A native Rhode Islander, Warren worked in Bristol, Newport, Providence, New Bedford and developed a national practice, bringing him commissions as far as Charleston, South Carolina.
Saturday, April 26, 2017
Bulfinch Awards Morning Lecture
This year’s morning lecture "In the Footsteps of Vitruvius; Design and Construction Durability Lessons Learned from the Hands-on Study of Two Thousand Years of Historic Construction," by Matthew Bronski, P.E. was held at the Algonquin Club in Boston. This lecture derived from Bronski’s 2009-10 Rome Prize project, where his hands-on research of buildings in Italy spanning over 2,000 years diagnosed successes and failures in the durability attributable to design and detailing, to derive lessons and principles for designing buildings more durably (and hence more sustainably) today.
Saturday, April 26, 2017
Bulfinch Awards Keynote Lecture
This year’s Keynote Lecture, "Modern Principles of Classical Architecture Disproved by the Renaissance," was delivered at the Algonquin Club in Boston, by Duncan G. Stroik, a 2016 ICAA Ross Award winner, a practicing architect, an author, and Professor of Architecture at the University of Notre Dame. His award-winning work includes Our Lady of the Most Holy Trinity Chapel in California, the Shrine of Our Lady of Guadalupe in Wisconsin, and Saint Joseph Cathedral in South Dakota.
Saturday, April 26, 2017
Seventh Bulfinch Awards Gala and Ceremony
The winners of the Bulfinch Awards were recognized at a ceremonial reception and dinner gala in the Harvard Hall at the Harvard Club of Boston, designed by Parker, Thomas & Rice.
Thursday, April 6, 2017
The Continued Relevance of Classicism in Contemporary Design: A Roundtable Discussion
To celebrate Boston Design Week, the New England Institute of Classical Architecture & Art (ICAA-NE) partnered with the Boston Design Center (BDC) to host a panel that discussed the continued relevance of Classicism from the perspectives of Architecture, Interior Design, Urban Planning and Cognitive Science, where recent findings support the idea that people thrive in environments based upon classical design principles. Moderated by Eric Daum, the panelists were Oliver Bouchier, Ann Sussman, John Tittmann and Leslie-jon Vickory.
Thursday, February 23, 2017
Lecture with Ann Sussman
Buildings, Biology +The 21st Century Paradigm Shift: How Biometrics will Change Understanding of the Architectural Experience
A lively group gathered at the College Club of Boston to hear Ann Sussman review new findings in biology and neuroscience that outline what our brain expects to see, including how it's hard-wired to avoid looking at blank facades, most quickly processes bilaterally symmetric things - and is preset to look for faces or face-like objects without any conscious input on our part. The lecture reviewed some biometric tools that can help us better understand our architectural experience. Ann explained that we’re now able - finally - to collect the hard data on how buildings make people feel.
Sunday, October 2, 2016
Classical Newport: Exploring the 18th Century Landmarks of Newport Rhode Island
A memorable walking tour of Historic Hill and Point districts, led by NE Chapter board member and Architectural Historian John Tschirch explored the landmark public buildings, houses and streetscapes of Newport, one of the most historically intact 18th century cities in America.
Saturday, September 24, 2016
Olmsted’s Muddy River Restored: Re-linking the Emerald Necklace
On a lovely early autumn day, attendees gathered on The Fens for a tour of the recently completed restoration of the Muddy River. The tour was guided by Margaret Dyson, Director of Historic Parks at the Boston Parks & Recreation Department.
Saturday, August 13, 2016
Tour of New Haven and the Yale Center for British Art
This full-day tour, led by Aaron Helfand and David Lewis, focused on the architecture and urban design of downtown New Haven and Yale University. The tour began on the New Haven Green, with a discussion of the city's original nine-square plan and the growth of Yale's campus in relation to the city, followed by a visit to several landmark buildings and a trip to the Yale Center for British Art.
Wednesday, September 7, 2016
Board Member Cocktail Party at Marvin Showroom, 7 Tide Street Boston, MA
ICAA New England Chapter members enjoyed a fun night in an amazing space at 7Tide – with no shortage of good conversation and inspiration.
Saturday, June 18, 2016
Rejuvenating a Colonial Era Landmark: Christ Church Cambridge
Saturday, April 23, 2016
6th Bulfinch Awards Ceremony Gala
Saturday, April 23, 2016
6th Bulfinch Awards Keynote Lecture by Justin Shubow
Tuesday, April 19, 2016
Royal Oak Boston Lecture- The Grand(er) Tour: Architectural Imagination Beyond the Classical World
Abraham Thomas, Architectural Historian
Wednesday, April 6, 2016
William Hodgins Interiors: Lecture and Book-signing by Author Stephen M. Salny
Saturday, June 13, 2015
Historic Berkshire County: A guided expedition to 'The Mount' and 'Naumkeag'
Friday, March 27, 2015
Americans in Paris: Talk and Book-signing by Co-author Margot M. Ellis- Americans in Paris: Foundations of America’s Architectural Gilded Age, Architecture Students at the École des Beaux-Arts 1846-1946
Tuesday, February 24, 2015
Cognitive Architecture: An Evening with Author Ann Sussman
Sunday, October 5, 2014
Landscape Architecture & Architecture of Wellesley College
Saturday, September 13, 2014